'Drawing and Recording by Lens-Based Media'

'The photographic camera sees everything we dont. - David Hockney\n\nA photograph is soundless because it has stopped duration. A displace is stable but it encompasses time. - rear Berger\n\nPeople assume been design since the fathom of military manity, as testify in archaeozoic cave order of payments and environ frescos. The development of paper had a major impact on the way that rough drawing was recorded and distributed. In 1826, the invention of the camera had a central effect on the world, providing a brand-new way of arranging information. In this essay, I will plow and compare the acts of enter through drawing - the human tenderness - and cameras - the mechanical eye, drawing on images from utmosts of time since the early cameras of the 19th century. Specifically, I require chosen triple periods that relate to human conflicts; the Crimean War, the Vietnam War and the new-made struggle in Iraq. Through these three periods I will explore the devel opments in technology, and in processes and school of thought of the acts of enter, both by drawing and by lens base media.\nWe begin our discourse in the 1850s, when for the rootage time we groundwork compare the acts of recording by drawing and photography The Crimean struggle artist, William Simpson was respected as bringing the honesty of fightfare to the British people. He went to the Crimean war and; he report faith fullyy, sometimes disapprovingly on what he saw He preferred true statement to drama, spirit to vehemence (Lipscomb, 1999) His famous exposure The Charge of the light source Brigade (figure 1) was doubtless a continue study, bringing unitedly a issue of sketches of the event to earmark a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never commenced battles, explosions, and the blood and part that is a piteous image of war The first hardheaded photographic method, daguerreotype, had a process as well as slow to capture a miserable image; it mandatory to focus for a longer period on an stock-still object. But Michell...'